LOS ANGELES TREES (2001-2012): In Los Angeles there are trees from every continent of the world, and in them I discovered a subject for a kind of portraiture. The insistent dedication of nature is to grow in spite of restrictions, and idiosyncratic forms often result from this. My work is not about trees per se. Rather, the tree form and the way it reveals something about its environment is fascinating to me. What also interests me is the contest between the limitation of painting and the limitless ability of art to surpass its restrictions, showing the world as we have never seen it before, inviting us to focus and meditate on those forces that have shaped ordinary forms in unseen ways. The human desire to control the unpredictable in the face of nature’s seemingly uncontrollable whims is both comic and tragic—ultimately revealing our own fragility. A painting of a tree is not a tree, but an image, a reflection of who we are.